MODERN RELIQUARY 1
MODERN RELIQUARY WALL SCULPTURES. These devotional objects show reverence not to saints, but to modern martyrs and their survivors. In this case, each of the 38 Special shell casings (from the guns historically associated with urban police forces) represent a questionable and/or highly contested shooting of an unarmed civilian within the U.S. They are purposely located in the heart of African-American female portrayed. Click to email a link to a friend (Opens in new window) Email Click to share on Facebook (Opens in new window) Facebook Click to share on X (Opens in new window) X More...
Read MoreRED HOT Riding Hood – created for TOONS! show
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Read MoreA Kiss For Copenhagen. 30″ x 40″ x 2″, Oil paint, spray paint & glitter on canvas.
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Read MoreNo Place Like Home! 24″ x 24″ x 2″, Oil paint, acrylic & glitter on canvas.
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Read MoreNot A Lollypop
Phase 1 Phase 2 Final Painting Click to email a link to a friend (Opens in new window) Email Click to share on Facebook (Opens in new window) Facebook Click to share on X (Opens in new window) X More Click to print (Opens in new window) Print Click to share on Reddit (Opens in new window) Reddit Click to share on Tumblr (Opens in new window) Tumblr Click to share on LinkedIn (Opens in new window) LinkedIn Click to share on Pinterest (Opens in new window)...
Read MoreI’ll Tell You, By The Way, The Greatest Comfort In The World, 40” x 30” x 2”, Oil paint, latex paint, spray paint on canvas, 2013.
Progress 1 Progress 1 (DETAIL) Progress 1(DETAIL) Installed at Golden Belt’s Gallery 100: SOLO EXHIBITION 2013 Installed at Golden Belt’s Gallery 100: SOLO EXHIBITION 2013 Installed at Golden Belt’s Gallery 100: SOLO EXHIBITION 2013 Installed at Golden Belt’s Gallery 100: SOLO EXHIBITION 2013 T-shirt worn by GLOCKITES at reception for HAPPINESS IS A WARM GLOCK Click to email a link to a friend (Opens in new window) Email Click to share on Facebook (Opens in new window) Facebook Click to share on X (Opens in new window) X More Click to print (Opens in new window) Print...
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